A photo-montage of three artworks that have recently been added to the IOMNJ map. The top and bottom images are by Paulina Kurzydlowska - the top one being an acrylic painting of a view from a rocky beach painted in a style that involves dripping the paint from each area of colour. The lower artwork is a cross stitch of yellow flowers. The middle image is an artwork by Emma Butler showing a pinecone and pebbles on a beach, drawn in coloured pencil on an acrylic paint base.

New Artwork on the Map

After putting out a call for artwork in last week’s blog post, I’ve spent some time revisiting my sketchbooks and digging through older posts to see if there was anything I hadn’t yet shared on the map. I found a surprising number of sketches to add (note to self to be more organised in future!) and was delighted when the very talented Paulina Kurzydlowska generously sent in photos of several of her works to be added to the map too. With these new additions, the IOMNJ map is beginning to feel richer and more complete, so let’s take a closer look at what’s been added.

A photo-montage of three artworks that have recently been added to the IOMNJ map. The top and bottom images are by Paulina Kurzydlowska - the top one being an acrylic painting of a view from a rocky beach painted in a style that involves dripping the paint from each area of colour. The lower artwork is a cross stitch of yellow flowers. The middle image is an artwork by Emma Butler showing a pinecone and pebbles on a beach, drawn in coloured pencil on an acrylic paint base.
Upper Image: ‘Stone Pile’, Paulina Kurzydlowska, 2025 ; Middle Image: ‘Pine Cone on Beach’, Emma Butler, 2026 ; Lower Image: ‘Flower Bed’, Paulina Kurzydlowska, 2025.

I was so excited when Paulina Kurzydlowska emailed to say she’d like to join the IOMNJ map project. Paulina is studying towards her MA at Manchester Metropolitan University and, as a multidisiplinary artist, uses a variety of media to express herself. Paulina often explores pixelated textures in her work, such as in ‘Stone Pile’ (below), in which acrylic paint is allowed to drip from areas of colour, down the canvas.

‘Stone Pile’ shows a beautiful view of the sea and sky seen from the stony shore of Douglas Beach.

'Stone Pile' by Paulina Kurzydlowska - an acrylic painting of a view from a rocky beach painted in a style that involves dripping the paint from each area of colour.
‘Stone Pile’, Paulina Kurzydlowska, 2025
Acrylic on canvas 
94 x 64cm

Paulina also sent in a photo of her artwork depicting the lighthouse at the Point of Ayre. In ‘Point of Ayre’ you can see that the drips of paint are formed from paint running both up and down the canvas. I’m not sure which technique is my favourite but they both give a stunning effect.

'Point of Ayre' by Paulina Kurzydlowska - an acrylic painting of a view of a lighthouse painted in a style that involves dripping the paint from each area of colour.
‘Point of Ayre’, Paulina Kurzydlowska, 2025
Acrylic on canvas
120 x 65cm 

In both ‘Flower Bed’ and ‘Floral Abstraction’, Paulina has created pixelated renditions of flowers using cross stitch. On her website at https://www.paulinakurzydlowska.com you can see the artwork ‘Flower Bed’ photographed next to the flowers it’s based on, as Paulina connects the abstraction with the real.

There are so many other artworks on Paulina’s website that I highly recommend a look and to follow her on Instagram (@p_kurzydlowskart).

'Flower Bed' by Paulina Kurzydlowska - a cross stitch of yellow and orange flowers.
‘Flower Bed’, Paulina Kurzydlowska, 2025
Embroidery on 14-count white Aida 
10 x 10cm

'Floral Abstraction' by Paulina Kurzydlowska - a cross stitch of pink and purple flowers.
‘Floral Abstraction’, Paulina Kurzydlowska, 2025
Embroidery on 14-count white Aida
10 x 10cm

Now on to the bits and bobs that I’ve added from my own stash of sketches and drawings.

First we have a bit of an experiment that I did to see how coloured pencil would behave on acrylic painted onto a MDF panel. I chose a photo that I recently took of a rather incongruous pine cone that was lying on the sand at Blue Point. I really liked how the brushstrokes formed in the acrylic paint were accentuated by the pencil, but it was a little difficult to get some of the colours to work well on top of the acrylic. Rubbing out the pencil was also a challenge at times and the eraser left oily marks on the acrylic. I guess that’s why people don’t tend to draw on acrylic paint often, but I liked some of the effects and learned a lot in the process.

'Pine Cone on Beach' by Emma Butler - a rough-textured coloured pencil drawing on acrylic paint surface.
‘Pine Cone on Beach’ by Emma Butler, 2026, Coloured Pencil on Acrylic Paint.

If you’ve followed the blog for a while then you’ll have seen many of the remaining images before. I realised I’d missed uploading quite a few to the map over the last few months and I’ve now added all the images below. Several are quick sketches as these are just as valuable to the map as more refined artworks – so if you have any sketches sitting around at home, we’d be glad to have a photo of them!

The Point of Ayre images were taken from the ‘Michael Harding Christmas Set‘ blog post.

Two sketches of rocks on a beach with lichen, completed in coloured pencil.
Slate Rocks at Port e Vullen

The image above featured in the ‘Choosing from the New Derwent Drawing Range’ post, in which I used the colours from the original set of 24 Derwent Drawing Pencils to sketch scenes from Port e Vullen. This helped me to work out which colours I needed to prioritise buying from the newly released colours in the range.

I also found two photos of sketches from Port e Vullen (above) that I’ve previously posted as part of a reel on my @emmabutlerart Instagram account.

The tree sketches below come from the blog post ‘Trying a New Technique’, in which I, rather reluctantly, tried out stippling as a shading technique and compared it to my usual ink shading style. I did like the effect though, even if stippling drives me mad!

Tree at The Nunnery, Ink and Watercolour Sketches.

The final image to be added was my small sketch of Peel Castle, taken from the blog post ‘Desert Horizons Triad’ and featuring the three watercolours from this Daniel Smith set.

Peel Castle Sketch, ink and Watercolour.

I’m glad to have finally caught up with adding my blog post drawings to the map and feel inspired to create more, especially of the west coast of the Island, north of Peel, as we currently don’t have many artworks of that area. Many, many thanks to Paulina and all the IOMNJ map contributors for your generosity – we really couldn’t take this project anywhere without you! I’ll be busy drawing, painting and creating lesson plans to build IOMNJ for Education. To find out more about this exciting stage of the project see last week’s blog post and keep following the blog for updates.

Happy sketching!

Emma


Comments

Leave a Reply

Your email address will not be published. Required fields are marked *